In case you missed it, the Big Apple was rocked last night when “The Big Love” premiered to the world.
The show, which stars Kristen Bell and Kristen Schaal, is set in the year 2021 and follows a woman who has a crush on her roommate’s boyfriend.
She’s also trying to find a way to make a new boyfriend.
“It’s not as if there’s anything wrong with love, it’s just not as natural as it could be,” she tells her friend.
“I feel like we’ve had a little bit of a bubble that just won’t burst.”
The show also stars Amy Poehler and Amy Schumer as the new love interest and a host of other funny faces.
But for the uninitiated, the show is basically just a show that tells the story of a guy who’s trying to break into the world of the popular “Big Love” comedy.
It was a hit, and viewers loved it.
But now, some of the people who made it a hit are coming out to say that it wasn’t so good.
“There’s a lot of people who were like, ‘Oh yeah, we loved that show, we were really into that, we didn’t know anything about it.
This is really dumb,'” said one viewer, who wished to remain anonymous.
“The reality is that ‘The Love Show’ was an absolute failure.”
The backlash has led to the cancellation of the show and many people saying that they are not going to watch it anymore.
But they are still going to check it out because it’s hilarious.
“If you were a little more mature, you would’ve said, ‘What am I missing out on?'” one person wrote on Facebook.
“My heart would’ve dropped to my throat, but the reality is, I didn’t have any of those things,” added another.
“This is what we want out of life: a show where everyone knows exactly what the characters are saying, and where they’re laughing, and the show doesn’t take itself seriously,” wrote one commenter.
“No, it isn’t an actual ‘The ‘Love Show,'” another wrote.
“We love it, but we also hate it.”
It’s not all bad though, according to the viewer.
“Its good to see it on TV, and its great to see that there’s a growing movement to actually try and break out of the bubble of the sitcom,” one person said.
“But I’m hoping that the show will continue on the schedule in some capacity, if not on a regular basis.”
This is not the first time that the Big Big Love has been criticized for being too mainstream.
Back in March, a few months after the show was first announced, some critics called the show too lighthearted and thought that it didn’t make a lot more sense.
In an interview with The Huffington Post, executive producer and showrunner Chris McKenna said that the characters in “The Love Song” have “a certain innocence” and are just trying to get along with each other.
“They’re trying to do things that are kind of goofy,” McKenna said.
However, that’s not the only criticism of the series.
Many people have complained that it’s filled with unnecessary dialogue, which has led some to question whether it’s a show for teens or older audiences.
“Some people just don’t know what to make of it,” said another person who wishes to remain unnamed.
“So many people are saying that it feels like it’s written for a teenage audience, and it feels that way because it is written for an older audience.”
The cast and crew of “The ‘Big Love'” are known for being a bit of an outlier in the industry.
Their shows often feature celebrities who are not usually on the small screen.
They also often feature people from outside the US.
“Their work is so rare, so it’s kind of a weird situation for them to be on TV,” said one person who wished for anonymity.
“You kind of feel like you’re being used by them.
The whole thing just feels like a marketing thing.”
And even though many of the cast members have been working on the show for years, the industry has seen a steady increase in the number of shows that are trying to capitalize on the “Big Bang Theory” phenomenon.
In 2017 alone, there were two “Big Shows” based on “The Great Gatsby” and “Mad Men.”
Last year, CBS launched a new show that is being billed as “A Big Love Show.”
“The show is a perfect example of how this industry is becoming more global, and there’s more and more shows that have a focus on bringing back an American audience,” said Jason Calacanis, a media professor at Columbia University who has studied how TV and film have shifted from a predominantly American demographic to an increasingly global one.
“With ‘The Great